Autumn Rain (she/they/it) is a prolific game developer whose work explores religious trauma, non-linear exploration, and getting lost in a maze of rats. We discuss games as miserable piles of secrets, the importance of indie dev communities, and why it’s actually fine and good to troll gamers.
Read MoreAfter a brief taste of freedom, Axe and Nathalie plunge back into Virtue’s Last Reward, running headfirst into a lock before much of anything happens. Desperate to move on and (hopefully) get some answers, they fumble through a poorly arranged lab, detail the mathematical effects of Radical-6, and once again wish better for Clover. Exhausted and possibly infected with anime sickness, they close out the episode struggling to think of any reason to put cults in videogames.
Read MoreLily Valeen (she/they) is a game designer, writer, and artist who recently released BOSSGAME: The Final Boss is My Heart, a mobile action game about lesbian devil hunters. She joined me on the show to dive into BOSSGAME's development, the frustrating preconceptions around mobile games, and writing queer romance. Later on, we encourage you to befriend your cool mutuals.
Read MoreWith its mix of flowery dialogue, elaborate metaphor, and obsessive passion, Legacy of Kain is continually referencing and subverting gothic conventions throughout its runtime. Amidst the complex story spanning multiple time periods, interrogations on the nature of power, and musings on immortal morality, another theme emerges from the game’s proximity to gothic and vampire literature: Kain is queer as hell.
Read MoreAfter weeks locked in the Virtue’s Last Reward lounge, Axe and Nathalie finally step through the 9 door, only to discover a barren desert awaiting them. With nowhere left to go, they ponder the broken logic of the prisoner’s dilemma, why they have all these gold files, and who gets to use the big rock. Before fully crumbling under the weight of so much cursed knowledge, they stumble upon a transmitter and receive a message from what remains of the outside world.
Read MoreAxe and Nathalie groggily awake sometime after the start of Virtue’s Last Reward, only to discover they’ve been locked inside a cryogenic pod! Struggling against limited oxygen, they race through a blur of incomplete discoveries. As the hallucinations set in, Nathalie discovers a set of additional rules that might just let her escape this twisted game if she can predict how it all ends.
Read MoreKate Barrett (she/her) is a game developer and comic artist best known for her playful, irreverent, and frequently copyright infringing design philosophy. She joined me this episode to retrace her curiosity-turned-obsession with Earnest Cline’s novel, evangelize her suitably unorthodox commitment to Blitz3D, and discuss the freedom that comes with embracing Glorious Trainwrecks.
Read MoreAxe and Nathalie venture further into Virtue’s Last Reward, getting trapped waiting for the password reset email as murder abounds. The workplace comedy death game continues to expand absurdly outward, treating our hosts to even more thought experiments, cryptic anagrams, and anime sicknesses. Will the nineth lion eat the sun? Could a child be behind it all? Can we ever escape The Chinese Room of our mind? Voting closes in 3…2…1…
Read MoreDespite its formal diversity, a tonal and stylistic consistency lends coherency to owch’s oeuvre, particularly a pattern of changes. The qualitative value of these changes is not usually clearly positive, and often scary, but always necessary to reach the ending. While individually owch’s games can seem inscrutable, when viewed together their shared interest in transformation, dramatic change, and uncertain outcomes suggests deeper readings.
Read MoreKenzie Shores (she/her) is a game developer and artist best known for the pornographic visual novel, Hardcoded. Nearing the game’s full release, Kenzie joined me to chat about Hardcoded’s origins, the challenge of monetizing porn, and why it really sucks to work on the same game for seven years.
Read MoreWelcome back, espers! Axe and Nathalie awake up from their slumber to once again find themselves trapped in the twisted hands of Zero Escape. This time they’ll be forced to navigate the crudely rendered halls of Virtue’s Last Reward (Spike Chunsoft, 2012), the second game in the trilogy and a notably larger one than 999. Will they manage to solve the infuriating infirmary puzzle? Is Zero III a v-tuber? Will Clover ever stop winking??? The podcast doors will open in 3…2…1…
Read MoreThe year has come and gone in a Sonic hued blur, and as is now tradition, I reached out to prior Kritiqal Care guests to ask what their favorite gaming and/or gaming-adjacent memory was in 2022. The responses were truly incredible, spanning great games, communities, moments of personal growth, and surprising opportunities. This continues to be my favorite episode of the year, and I’m so glad to get to share it with you. Happy new year!
Read MoreHappy holidays from Zero Context! Bridging the gap between 999 and Virtue’s Last Reward, Axe and Nathalie reconvene for a very special episode, live reacting to the VLR promotional OVA. Zero Context will return in the new year. Don’t forget to leave cookies for Santa.
Read MoreDave Hoffman (they/them) is the creator of Mixolumia, an arcade puzzle game combining contextual soundtracks with diamond-based combos. They came on the show to dig into the spontaneous origins of the game, how it continued to evolve and incorporate player creations, and the difficulty of marketing puzzle games in a streamer attention economy.
Read MoreWe emerge from the gaming mines into the Nevada desert. It’s over. We’ve finished 999. As we depart in our Zero Escape promotional SUV, we reflect on our experience playing and replaying the game, now able to see it in totality. Did the mystery payoff? Is Zero morally justified? Did Nathalie get any predictions right? Next time we meet the snow will have fallen, our hair will have grown, and we will have have shed our tattered socks. But know this, listener: I will never forget you.
Read MoreIt's relatively easy to create monsters that horrify and unnerve, more difficult to create ones that get under your skin and linger, and harder still to effectively use unreality and uncanniness to build worlds that work like nightmares. Rule of Rose and Silent Hill demonstrate the power of this mode of horror.
Read MoreThe end of our 999 playthrough draws near as we stumble into the last (for real this time) bad ending. We finally get some answers about who’s been knifing everyone, discuss how the game begins to assert itself as an independent actor, and lament Clover’s continued degradation. Also, where’s Santa??
Read MoreCosmo D (he/him) is a game developer and musician whose work explores urban life, the creator economy, and giant pizza demanding buildings. Hot off the release of Betrayal At Club Low (2022), Cosmo D sat down with me to detail his dramatic pivot out of music into games, finding a medium that inspires you to keep growing, and chasing his space trucker sim white whale.
Read MoreWhen I was younger, I used to be extremely into Urban Dead, a text based MMO set during a localized zombie epidemic. Years later, the covid pandemic brought me back to the game’s undead infested streets. Fear makes you crave familiarity, and I wanted to return to a place from my childhood where the pandemic and quarantine were all just normal.
Read MoreThe last Bad End is here and it sure lives up to it! Axe and Nathalie continue their playthrough of 999 , working through the ax ending and all its disappointing conclusions. Elsewhere, they discuss the different mechanics of mystery vs puzzle box media, continued disappointment at who Lotus could have been, and Nathalie makes a lot of predictions that are all true (even the ones that contradict each other).
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