Even the Ocean sits unfortunately between an early indie hit and a decade defining classic. It is the studio’s most technically accomplished game to date but lacks the emotional heft of its siblings; a delight in itself that falls shy of the incredibly high bar Analgesic have set for themselves. But as a transitional piece it is one of the best modern examples we have of thematic development across games, made more interesting through Anodyne 2's parallels.
Read MoreMelos Han-Tani (he/him) is a game designer, musician, and half of Analgesic Productions. On episode 22 of Kritiqal Care he joined me to talk making games that recognize the humans behind them, why he likes writing music for games, and some of the musicians he looks (listens?) toward for inspiration.
Read MoreWelcome to episode 3 of Kritiqal Care. I'm joined by indie game dev Marina Kittaka (she/her), known for her work on Even the Ocean, Secrets Agent, and Anodyne 2. She joins me to discuss authenticity in art, returning to old projects, and how nice it is that we're (mostly) not in winter anymore.
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