The point of this exhibition is pain. The pain of shifting focus as an observer. The pain of how, after so many decades of feminist analysis, I can read fifty articles about how modern art and film are just like Silent Hill 2 - full of conjecture about art that looks similar by important cisgender men - and not see any of the works by artists I know are direct aesthetic parallels. Here are a few of them.
Read MoreQueerheart (Afterglow Games, 2019) is an attempt at a digital gallery. It compiles vintage adverts, poems, clips of silent films, alongside original works taking a variety of forms. Click around the halls and you’re taken to different non-spaces: a vaporwave poetry corner, some hotel rooms hiding text-to-speech memoirs, a tv playing clips of early queer cinema. It is the inversion of the white cube – vibrant, messy, enveloping.
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